Collection: Eri Yamamoto

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Eri Yamamoto

Photo: Jimmy Katz

 

Eri Yamamoto moved to NYC from her native Japan in 1995. A classically trained prodigy on piano, she had recently walked from a potential recording deal with Sony because the offer didn't work for her. Her trip to the city was initially just to visit her sister. But, after hearing Tommy Flanagan perform in trio – her first exposure to jazz music – Eri had a momentous revelation that her future would be with this music, and that she needed to stay in its NYC nexus to study... On our first hearing her play not too long thereafter, it was evident that her passion had been ignited, her devotion to learning was pure, and that the musical gifts which would allow her to add to the stream of jazz beauty were plentiful.

She fully impressed Matthew Shipp as well, who brought her to the BlueSeries/Thirsty Ear label to record her trio album Cobalt Blue in 2006. When William Parker came to record his first album of compositions for piano trio, Luc's Lantern, he chose Eri to occupy that seat . He then brought her into his Raining On The Moon ensemble, and the wisdom of that decision is in full evidence on the album, Corn Meal Dance.

AUM Fidelity first recorded Eri Yamamoto as a leader for the album Duologue, her first outside of the piano trio format. And it struck us most deeply then that Eri writes incredibly beautiful songs. Contemplative, jubilant, mesmerizing songs. Songs which we’ve found increasingly rewarding with each successive listen. Eri Yamamoto's growth as a jazz player and composer over the decade since first hearing her play was truly phenomenal. We decided to work some more together! Eri’s distinctly invigorating approach to the jazz trio and remarkable gift for indelible melodies continues to reach album-to-album highs. When she was not busy touring the world with her own group and/or with William Parker, the Eri Yamamoto Trio performed every Thursday/Friday/Saturday at Arthur’s Tavern, a/n historic jazz club in New York’s Greenwich Village. It is expected that will resume, when we're all safely on the other side of CV, at currently indeterminate time..  If you'll be heading to town then, mark it & make it to see her play!

In late 2019, we released a bold and joyous & wholly new kind of work together. Goshu Ondo Suite is Eri's first work composed for full (50-member) choir together with jazz trio. A wondrous beauty!

Please visit Eri Yamamoto's website for more information & updates on live performances / tours (when they begin to happen again..)..


Discography on AUM Fidelity

will be added to soon, including all of her work!

2019 - Goshu Ondo Suite
2016 - Life
2013 - Firefly
2012 - The Next Page
2010 - In Each Day, Something Good
2008 - Redwoods
2008 - Duologue


Eri Yamamoto also features on these luminous William Parker albums:

2018 - The Blinking of The Ear
2018 - Voices Fall From The Sky
2015 - Great Spirit
2015 - For Those Who Are, Still
2013 - Wood Flute Songs: Anthology/Live 2006-2012
2007 - Corn Meal Dance



  • PRE-ORDER: William Parker – Migration of Silence Into and Out of The Tone World [Volumes 1–10]
  • Eri Yamamoto Trio & Choral Chameleon – Goshu Ondo Suite
  • William Parker – Flower In a Stained-Glass Window -&- The Blinking of The Ear
  • William Parker – Voices Fall From The Sky
  • Eri Yamamoto Trio – Life
  • William Parker / Raining On The Moon – Great Spirit
  • William Parker – For Those Who Are, Still
  • William Parker – Wood Flute Songs: Anthology/Live 2006–2012
  • Eri Yamamoto Trio – Firefly
  • Eri Yamamoto Trio – The Next Page
  • Eri Yamamoto Trio – In Each Day, Something Good
  • Eri Yamamoto Trio – Redwoods
  • Eri Yamamoto – Duologue
  • William Parker / Raining On The Moon – Corn Meal Dance